在这部孟加拉虎冒险/剧情/爱情片中,Fritz Lang returned to Germany on the eve of the 1960s to direct this enchanted penultimate work, a redraft of the diptych form pioneered in such silent Lang classics as Die Spinnen; Dr. Mabuse, der Spieler.; and Die Nibelungen. Although no encapsulating title was lent at the time of release to what is, effectively, a single 3-hour-plus film split in two, the work that has come to be referred to in modern times as “the Indian epic” (consisting of Der Tiger von Eschnapur and Das indische Grabmal) proved to be one of the legendary director’s most adventurous achievements. It was also one of the most popular successes Lang was to experience in his native land. A German architect (Paul Hubschmid) is commissioned by an Indian maharaja (Walter Reyer) to construct a temple on his palatial grounds. After saving the life of a bewitching dancer (Debra Paget) on whom the maharaja has spousal designs, the hero is pulled ever deeper into a hazardous maze of traps, perhaps the purest realisation of Lang’s obsession with a labyrinthine ‘house of death’ – that is, Man challenging Fate. Like Lang’s following final work Die 1000 Augen des Dr. Mabuse, the Indian epic charts new territory for the director, as it strikes out into the über-melodramatic tenor of his early silents while inciting the colours of the emulsion into adopting a lurid, sometimes gaseous palette. Arriving in the wake of The River (Renoir), India matri bhumi (Rossellini), and Black Narcissus (Powell & Pressburger), Lang’s Indian epic stands among the remarkable mid-century contributions of Western filmmakers who have contemplated India. The Masters of Cinema Series is proud to present Lang’s films on DVD in the UK for the first time.
An architect travels to the remote city of Eschnapur to oversee some work being done at the bequest of the local Maharajah. Along the way the architect meets and falls in love with a beautiful temple-dancer. The Maharajah also loves this dancer and plans to marry her despite fierce opposition from factions within his own court. The dancer responds to the architect's advances and they flee from Eschnapur but are captured by the Maharajah's soldiers. To save the architect's life, the dancer agrees to marry the Maharajah. This sparks a revolt which is eventually put down. The sadder but wiser Maharajah then allows the architect and the dancer to leave his domain.
专制与民主，理想与绝望。奇观背后的朗。
| 标题 | 类型 | 来源 | 播放 |
|---|---|---|---|
| 《孟加拉虎》El tigre de Esnapur 1958 Fritz Lang Debra Paget,... | 正片 | 土豆 | 播放 |
