在这部隐藏的伊斯兰艺术纪录片片中,At the British Museum, a collection of artefacts from the Muslim world is on show which tells the history of a journey to Mecca always forbidden to non-Muslims. It features a succession of examples of the rich visual language of Islamic culture past and present, artwork created to reflect the powerful experience for any Muslim making the Hajj pilgrimage to Islam's most sacred city and its most sacred building, the Ka'aba. However, an artform not usually associated with Islam is also on show, a form many believe is prohibited by Islam - portraits, depictions of human figures and whole tableaux showing pilgrims performing the most important pillar of the Muslim faith. In this documentary, Rageh Omaar sets out to find out that if human depiction is the source of such controversy, how is it that the art displayed here shows a tradition of figurative art at the heart of Islam for century after century? He explores what forms of art are acceptable for a Muslim - and why this artistic tradition has thrived - in the hidden art of the muslim world.
From PBS - Explore the tradition of figurative art at the heart of Islam with host Rageh Omaar. Muslim belief and tradition specifies that there should be no depictions of God or the Prophet Muhammad. In religious contexts, this constraint on what artists can depict extends to human figures and other living creatures as well. These prohibitions have inspired a rich visual culture based on calligraphy, Arabesque floral designs, and geometry, all of which feature strongly in the art and design found throughout Islam, including in mosques and the Koran. With the help of fine art and religion experts, host Rageh Omaar (The Life of Muhammad) traces the effect of these beliefs over the centuries on the art and artists of the Islamic world and considers why depictions of pilgrims taking part in the Hajj pilgrimage have become part of the accepted tradition of Islamic art, including in work exhibited at the British Museum.
