在这部在月光下剧情片中,2001年戛纳电影节影评人周单元最佳影片奖 2001年东京国际电影节最佳导演奖、评审团奖 神学院学生赛耶德·哈桑即将升职做牧师，偏偏在就职典礼之前他的礼服被一个小男孩偷去了。于是他追踪到一个边远的郊区，那里的居民生活贫苦，从未见过牧师，对此知之甚少。最后，赛耶德学会了重要的一课：在宗教教义与艰难的生活现实生活存在着鸿沟，而这样的差异需要用情感去填补。雷萨-米尔卡瑞米导演在东京国际电影节致词时特别强调，他想告诉大家其实伊斯兰教是很爱好和平的宗教，而且也反对恐怖主义，并不是一种带暴力色彩的宗教。 与我们同根同种的亚洲人拍的这片子里，处处使我觉得亲切熟稔。年轻人憨憨而不知所措的表情、学校长者官腔却不乏真情的训导、暗淡而陈旧的店铺、城市角落里最卑微的人群、缓慢的生活，这一切都像是我们自己在成长路上所经历所看见过的。 他们多诚实，伊朗的贫困与落后历历地显现出来。可我敢说，这片子能打动的绝不止我一个人，也不止我们这些亚洲人。描绘贫穷而非展示贫穷，坦陈伤口而非哀矜伤口，伊朗的导演实在胜过我们某些所谓著名导演太多。
Hassan is a student of Religious /Islamic school and is about to be dressed as a missioner .In such a time when his other mates are excited and are getting ready to be formally dressed and to become a spiritual missioner Hassan's doubts and incoherences starts and he begins to have a struggle with himself. Therefore he postpones his ceremony, yet for the sake of his father and to respect him he buys the dress. Meanwhile a young boy steals his formal clothes. Hassan goes after the boy and through this path he gets to know about the poverty of the people and the poor neighborhood where the young boy lives. He communicates with this community and gets familiar with their life style. This event gives him a motivation to become a spiritual missioner because he realizes that in this way he can serve these people. At the end, the young boy ends up in a rehabilitation center for children and is going to start a new life.
无题。主在哪裡？！。在月光下：用实践去揭示善良。
