在这部午后的迷惘短片片中,二十世纪最有影响力的实验电影之一。由Deren 本人和丈夫 Alexander Hammid出演剧中所有角色。这部女性主义的经典描述了一个女性的白日梦,在梦中日常生活物品都变得神秘而危险,电影转向对性与死的晦涩思考。
A solitary flower on a long driveway, a key falling, a door unlocked, a knife in a loaf of bread, a phone off the hook: discordant images a woman sees as she comes home. She naps and, perhaps, dreams. She sees a hooded figure going down the driveway. The knife is on the stair, then in her bed. The hooded figure puts the flower on her bed then disappears. The woman sees it all happen again. Downstairs, she naps, this time in a chair. She awakes to see a man going upstairs with the flower. He puts it on the bed. The knife is handy. Can these dream-like sequences end happily? A mirror breaks, the man enters the house again. Will he find her?
女性之殇:以《午后的迷惘》为镜。超现实的思索,午后的迷惘--佛洛依德式角度下解析下女性梦境。这只是一个混乱的梦。一个迷惘的女人。日常生活中的心理病态。切割自我。惊艳。醒不来。压力显而易见。自织罗网。
文件名 | 大小 | 地址 |
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Meshes.of.the.Afternoon.1943.(Short).720p.BRRip.x264-Classics | 260.54 MB | |
Maya Deren - Meshes of the Afternoon (1943).aviAVI | 149.69 MB |